kaya publishes books of the asian pacific diaspora

 
 
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edlin2

Ed Lin

Ed Lin lives in New York with his wife, actress Cindy Cheung.

www.edlinforpresident.com

books
This_is_a_Bust

This is a Bust

Kaya Press 2007

This Is a Bust, the second novel by award-winning author Ed Lin, turns the conventions of hard-boiled pulp stories on their head by exploring the unexotic and very real complexities of New York City’s Chinatown, circa 1976, through the eyes of a Chinese-American cop. A Vietnam vet and an alcoholic, Robert Chow’s troubles are compounded by the fact that he’s basically community-relations window-dressing for the NYPD: he’s the only Chinese American on the Chinatown beat, and the only police officer who can speak Cantonese, but he’s never assigned anything more challenging than appearances at store openings or community events. Chow is willing to stuff down his feelings and hang tight for a promotion to the detective track, despite the community unrest that begins to roil around him. But when his superiors remain indifferent to an old Chinese woman’s death, he is forced to take matters into his own hands. This Is a Bust is at once a murder mystery, a noir homage and a devastating, uniquely nuanced portrait of a neighborhood in flux, stuck between old rivalries and youthful idealism.

 
Waylaid

Waylaid

Kaya Press 2002

Waylaid is the story of a Chinese American boy struggling to grow up amidst the drudgery and sexual innuendo of his parent¹s sleazy motel on the Jersey Shore. Conscripted into the family business, the protagonist spends his summer days and after-school hours renting out rooms to johns and hookers, lonely old men, and families whose homes have been repossessed. He becomes obsessed with losing his virginity, a preoccupation whose very intensity reflects a society that delivers sex as a distraction from despair. In its blackly humorous exploration of immigrant dreams and working class realities, Waylaid is a switchblade in the gut to stories of overachievement and success that ignore the human cost.

 
More Ed Lin Books
OneRedBastard1
One Red Bastard
Minotaur 2012
snakescan'trun
Snakes Can’t Run
Minotaur 2010
praise

“Part New York neighborhood portrait a la American-theater staples Street Scene and Dead End, part hard knocks but optimistic little-guy’s story a la Edward Dahlberg’s novel Bottom Dogs (1929), Lin’s juicy, dialogue-heavy sophomore effort is rich, flavorful, and humane.”
— Roy Olson, Booklist (Starred Review)

“Rich with political intrigue and a cultural landscape acutely alive,This Is a Bust takes the reader on a journey few are privileged to know…. A satisfying literary read that reads with the quickness of a summer fling read—but don’t read it quickly, you’ll want to savor this novel. Dark, beautiful, and humorous and not to be missed.”
— Debra Magpie Earling, author of Perma Red

“Reading This Is a Bust as well as Ed Lin’s first novel, Waylaid, is like fixing the frayed wiring of a light socket while standing in your bare feet in water during a lightning storm. Outside. We’re talking about Chinese-American characters who don’t play it safe and never went to medical school or got straight A’s in calculus. Take a risk, read this detective story and encounter a Chinatown well beyond the tourist neon and Grandma-arriving-in-America story.”
— Shawn Wong, author of Homebase and American Knees

“Wonderful… In Waylaid, Lin has crafted an unforgettable story from the rundown landscapes of the New Jersey Shore and from the ambivalant geographies of his young narrator’s heart… A coming-of-age novel that is both piercing and tender… Lin is an astonishing talent.”
— Junot Díaz, author of The Brief Wondrous Life of Oscar Wao

“Ed Lin has wrought an Asian American Holden Caulfield, whose view from his tightly conscripted life of working at his parents’ motel is to get laid without getting fucked. No model minority success here, this is the harsh universe of working class immigrants, a nether world that both fascinates and repels.”
— Helen Zia

“There’s great humor here, and great storytelling. What Ed does best is what only great writers do – he tells the truth. I’m a fan for life.”
— Wayne Kramer, co-founder of MC5 and Mad for the Racket

Ed Lin news

Giant Robot Presents: An Evening with Ed Lin + traci kato-kiriyama + Nicky Sa-eun Schildkraut

Two Kaya authors, Ed Lin (Waylaid, This is a Bust) and Nicky Sa-eun Schildkraut (Magnetic Refrain), will be joining traci kato-kiriyama Friday August 15 for a memorable evening of readings at Giant Robot. And who else will be MC-ing but our very own managing editor, Neelanjana Banerjee! It’ll likely turn into a standing-room only crowd, but […]

Kaya Recommends: WRIT LARGE’s PUBLISH – A Two-Day Underground Publishing Event

New Yorkers: go participate in this amazing underground publishing event by our friends at WRIT LARGE PRESS, featuring Kaya writers Ed Lin and Thaddeus Rutkowski, among many others. Hosted by S2A (www.s2anyc.com), PUBLISH! questions the notion of writing as a private, solitary act and re-imagines the publishing process as an act of announcing. Over the […]

Kaya Press, AALR, With Tongue and Groove This Week At The Asian American Lit Celebration

www.tongueandgroovela.com (LOS ANGELES, Ca.)—(May 2, 2012)— In celebration of National Asian American/Pacific Islanders Heritage month, Conrad Romo’s Tongue and Groove Series would like to announce a series of events throughout Los Angeles featuring Asian American writers from both the East and West Coasts to include: Chiwan Choi, Ed Lin, Frannie Choi, Traci Kato Kiriyama, Suzanne […]

Kaya Press at Brooklyn Book Festival!!

Sunday, September 12, 10-6pm, BKLYN! (http://www.brooklynbookfestival.org) Brooklyn Borough Hall, accessible by 2/3/4/5/A/C/F/R trains Kaya Press will be tearing down the house and raising the roof at this year’s Brooklyn Book Festival! Come meet our authors: Ed Lin (Waylaid, This is a Bust) Thaddeus Rutkowski (Rough House) Samantha Chanse (Back to the Graveyard, forthcoming from Kaya […]

 
 
 

“The most consistent intelligent wide-ranging committed press I know – Kaya is an example of how to turn ‘small’ books into literary arrows that shoot straight and true into the heart of our culture and (of course) ourselves.”

— Junot Díaz