Nicky Sa-eun Schildkraut NEWS
Kaya poet Nicky Sa-eun Schildkraut was recently featured on International Examiner in an interview with Bruce Fulton! In the Q&A Nicky discusses how her identity as a Korean adoptee has influenced her writing and how this manifests in her poetry collection Magnetic Refrain, which was published by Kaya Press last year. “Being in-between,” she says, “is what compels so […]
Two Kaya authors, Ed Lin (Waylaid, This is a Bust) and Nicky Sa-eun Schildkraut (Magnetic Refrain), will be joining traci kato-kiriyama Friday August 15 for a memorable evening of readings at Giant Robot. And who else will be MC-ing but our very own managing editor, Neelanjana Banerjee! It’ll likely turn into a standing-room only crowd, but […]
Magnetic Refrain
Adopted from Korea at the age of two, Schildkraut’s writings seek to both unsettle and complicate presumptions about what ties people together in times of longing and loss. Her provocative and intensely lyrical poems draw upon personal experiences as well as the larger Korean diaspora—particularly its women. In these explorations of war brides, defectors, birth mothers, and other adoptees, Schildkraut searches for a formal expression that embraces refrain as both song and restraint. Using the language and imagery of myth, political slogans, avant-garde films, and psychological texts, these poems destabilize the concepts of identity and citizenship, making them strikingly new.
praise
“Nicky Schildkraut resutures personal and national history with clear-eyed precision. She retells Korean folktales as compassionate feminist lyric, gives sonorous voice to comfort women, and reveals—via prose and fractured verse—her own intimate tales of adoption. Her voice is haunted and captivating as she meditates on the “missing persons” of history. A hypnotic and moving debut.”
– Cathy Park Hong, author of Dance Dance Revolution
“Magnetic Refrain is a book filled with fables, proverbs, prophecies, and myths into which personal and family history are interwoven. In this radiant debut collection, female life and the experience of transnational adoptees are treated with the same power and imaginative force as the classic tales of Eurydice or Hansel and Gretel. Here, narratives accumulate and resonate, braiding individual into archetypal and collective memory. It is a beautiful, and magnetizing, collection.”
– Paisley Rekdal, author of The Invention of the Kaleidoscope
“The grand spirit that has re-imagined each of these whole lost worlds out of a “history that you couldn’t bear/. . .but saw bursting in dream,/ blood thinned by water” is both master and prisoner of its own luscious longing. These are gorgeous poems full of acumen, anti-entropy, and desire. In the Landscape of Literature, this book is a critical Bering Strait. Human, animal, ghost—in whichever direction you’re dreaming, travel by it.”
– Ed Bok Lee, author of Whorled, winner of the American Book Award
“These poems breathe into the shell of diasporic desire, and allow us to witness the speaker’s first flickering attempts toward animation and fullness.”
– Jai Arun Ravine, review in Lantern Review
“Anyone who has lived between two cultures, anyone who has yearned to belong, cannot fail to be moved by Nicky Schildkraut’s auto-poetic journey to reclaim a lost narrative of her life.”
– Bruce Fulton, professor at University of British Columbia
Nicky Sa-eun Schildkraut NEWS
Kaya poet Nicky Sa-eun Schildkraut was recently featured on International Examiner in an interview with Bruce Fulton! In the Q&A Nicky discusses how her identity as a Korean adoptee has influenced her writing and how this manifests in her poetry collection Magnetic Refrain, which was published by Kaya Press last year. “Being in-between,” she says, “is what compels so […]
Two Kaya authors, Ed Lin (Waylaid, This is a Bust) and Nicky Sa-eun Schildkraut (Magnetic Refrain), will be joining traci kato-kiriyama Friday August 15 for a memorable evening of readings at Giant Robot. And who else will be MC-ing but our very own managing editor, Neelanjana Banerjee! It’ll likely turn into a standing-room only crowd, but […]
