H. T. Tsiang NEWS
We are glad to announce that Kaya’s classic publications of East Goes West by Younghill Kang and The Hanging on Union Square by H.T. Tsiang have now been republished as Penguin Classics! The republishing of these titles during Asian/Pacific American Heritage Month, along with America is in the Heart by Carlos Bulosan and No-No Boy by John Okada, follows the tremendous positive […]
The Margins features legendary agitprop author H.T. Tsiang–Kaya recently released his And China Has Hands–and his continual relevance in the face of today’s divisive political climate. Cheung describes H.T. Tsiang’s And China Has Hands as a “Marxist, feminist, pro-immigrant satire of the American Dream”, and in our current times this sounds like the epitome of radical […]
And China Has Hands
Originally published in 1937, And China Has Hands, the final published novel of literary gadfly and political radical H.T. Tsiang (author of The Hanging on Union Square), takes place in a 1930s New York defined as much by chance encounters as by economic inequalities and corruption.
Written with a poignant simplicity that mirrors Wong’s own alienation in a foreign land, Tsiang shows us the world of 1930s New York through the eyes of Wan-Lee Wong, a newly arrived, nearly penniless, Chinese immigrant everyman who falls in love with Pearl Chang, a biracial Chinese and African American woman who wanders into his life. This unusually intimate portrait of coming to race and class consciousness, told with the pointed, political brevity of early Gertrude Stein and set against the backdrop of the Great Depression, illuminates the challenges endured by generations of Chinese who tried to assimilate into an alien culture, pining in utter obscurity for their homeland.
praise
And China Has Hands is wondrous enough as a historical artifact, the first-ever novel of Chinatown strivers published by a Chinese American author. But as you turn its spare, deceptively strange pages, it reveals itself as something more, a shadow tale pitting the unheralded, visionary Tsiang in a one-man war against convention, the melting pot and an inhospitable publishing world. That Tsiang remains a long-forgotten and singular oddball speaks to our lack of imagination, not his.
— Hua Hsu, author of A Floating Chinaman: Fantasy and Failure Across the Pacific (Harvard University Press)
In And China Has Hands, H.T. Hsiang reminds us all that the words ‘migrant’ and ‘migration’ are not just the topical buzzwords of our 21st century 24-hour news cycle—they represent the real lives of immigrants living under legal ‘walls’ that create a second class citizenship and prevent full participation in the mainstream of American life. This is a love story between a man and a woman and a man and a country that is full of pain, and hope, and failure, and dreams, and loss, and pride, and patriotism.
— Shawn Wong, author of American Knees
H.T. Tsiang’s refreshingly unconventional And China Has Hands brings fresh oxygen to the subject of the multi-ethnic dimensions of 1930s radical literature. Something magical ensues from the beguiling aura of this cross-genre writer who moves among a myriad of styles with magnificent fluidity.
— Alan M. Wald, author of American Night: The Literary Left in the Era of the Cold War
Vivid and succinct, Tsiang’s groundbreaking novel depicts the coming-to-consciousness of a Chinese laundry owner who seeks economic security and the love of a biracial heroine. With its unique voice, its critique of racial inequality and capitalism, and its clarion call to class struggle, And China Has Hands is a worthy American rejoinder to Lao She’s classic proletarian novel of 1937, Rickshaw (Lo-t’o Hsiang Tzu). Floyd Cheung’s smart, elegant afterword provides a terrific critical and historical introduction.
— Professor Patricia P. Chu, Associate Professor of English, George Washington University
H. T. Tsiang NEWS
We are glad to announce that Kaya’s classic publications of East Goes West by Younghill Kang and The Hanging on Union Square by H.T. Tsiang have now been republished as Penguin Classics! The republishing of these titles during Asian/Pacific American Heritage Month, along with America is in the Heart by Carlos Bulosan and No-No Boy by John Okada, follows the tremendous positive […]
The Margins features legendary agitprop author H.T. Tsiang–Kaya recently released his And China Has Hands–and his continual relevance in the face of today’s divisive political climate. Cheung describes H.T. Tsiang’s And China Has Hands as a “Marxist, feminist, pro-immigrant satire of the American Dream”, and in our current times this sounds like the epitome of radical […]
