Koon Woon will make a special visit to San Francisco on the occasion of his American Book Award win. The Emerald Tablet will be hosting him and other writers on October 24th at their Under the Influence event. Come to hear Woon channel the work of one of his major influences, the poet Donald Justice, […]
Join us for an afternoon and evening of Japanese authors and literature specialists discussing writing, contemporary culture, and the tricky art of translating. Free and open to the public. Dinner and refreshments will be served. Date: Wednesday, October 15, 2014 Time: 4PM-8:30PM Location: Room 450, Tutor Campus Center (TCC) RSVP: Through the CJRC website. Co-Sponsored by […]
Come hang out with the University of Southern California’s Literary and Publishing Community and learn how you can get involved with organizations both on campus and off. Join us for an evening of mini-workshops, readings, and mingling — and help plot literary world domination! Free food and drink. Featuring: The Altar Collective Fractal Gold Line […]
Kaya Press is excited to co-sponsor this great afternoon of Asian diasporic literature: Hang out with Australian author Tom Cho, author of LOOK WHO’S MORPHING (Arsenal Pulp Press, 2014) at USC! An un-named protagonist undergoes a series of transformations, shape-shifting through figures drawn from film and television, music and books, porn flicks and comics. This […]
Kaya Press is excited to be part of the awesome coalition bringing you: FAMILY REUNION — A Storytelling Show, brought to you by Dis/Oriented Comedy. It will be a monthly series co-presented by Angry Asian Man, Tuesday Night Project, Mishthi Music and KAYA Press! “FAMILY REUNION”: A Storytelling Show Echoes Under Sunset 1310 Glendale Blvd, […]
Two Kaya authors, Ed Lin (Waylaid, This is a Bust) and Nicky Sa-eun Schildkraut (Magnetic Refrain), will be joining traci kato-kiriyama Friday August 15 for a memorable evening of readings at Giant Robot. And who else will be MC-ing but our very own managing editor, Neelanjana Banerjee! It’ll likely turn into a standing-room only crowd, but […]
