kaya publishes books of the asian pacific diaspora

 
 
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09/17

We’re so excited to continue the celebration of Readymade Bodhisattva: The Kaya Anthology of South Korean Science Fiction in New York City this September, this time — as part of the Brooklyn Book Festival Bookends Series! Transnational Sci Fi: A Border-Crossing, Otherworldly Reading & Discussion: In 2019, two groundbreaking transnational Sci Fi anthologies were published, Readymade […]

09/13

09/13

Thursday, September 13, 2018 7:00pm Asian American Writers’ Workshop 112 W 27th St Ste 600 NY, NY 10001   LITERAOKE finally comes to NYC, after unforgettable shows across the country! Come see performers sing their hearts out to their favorite karaoke bangers and then read from their work. Come sing a-long with these amazing writers. […]

11/03

11/03

I Love Dick, Chris Kraus’s auto-fiction about the obsessions of a writer named Chris Kraus, has influenced a generation of writers to experiment with blurring fact and fiction as a way to claim radical subjectivity. The book has now been adapted into an Amazon Prime series produced by Jill Soloway (Transparent). In a conversation about how […]

02/10

02/10

We’re back at #AWP17 for another round of LITERAOKE, where we invite the hottest writers to belt out their Karaoke favorites and share some of their work. What better way to come together and feel good in the face of these dystopian times than raising our voices. Don’t miss it! LITERAOKE II Friday February 10th […]

ON

Last week, Kaya celebrated the work of Asian American author H. T. Tsiang, in honor of Kaya’s most recent reprint of his work, And China Has Hands, edited by Floyd Cheung. We hosted two events, both of which featured readings by authors whose work is in conversation with Tsiang’s. Both were energetic and inspiring and we […]

 
 
 
 

“The most consistent intelligent wide-ranging committed press I know – Kaya is an example of how to turn ‘small’ books into literary arrows that shoot straight and true into the heart of our culture and (of course) ourselves.”

— Junot Díaz