AWP is an annual literary conference that brings together over 12,000 writers and publishers from all over the country. Come visit us at Booth 1310! Kaya Press and Tia Chucha Press are sharing a space (which will also feature work by Tiny Splendor, and Dum Dum Zine). And here is a roundup of Kaya’s smoking hot literary […]
Come out and get down with Kaya Press & Kundiman at our AWP offsite event as we combine readings and Karaoke into a never-before-attempted experiment of entertainment and enlightenment! The event will feature the literary (& musical) stylings of Vidhu Aggarwal, Xochitl-Julisa Bermejo, Sam Chanse, Leticia Hernandez, Ashaki M. Jackson, Janine Joseph, Teka Lark, Sueyeun Juliette Lee, Ed Lin, R. Zamora Linmark, Kenji Liu, Rajiv Mohabir, Angela […]
Monday Jan. 25, 2015 | 7:30 – 9:30 p.m. Avenue 50 Studio | 131 North Avenue 50 Highland Park CA 90042 Come out to Avenue 50 Studio in Highland Park to celebrate Sam Chanse’s satirical one-woman play, Lydia’s Funeral Video: set in a near distant future, devout bank clerk Lydia Clark-Lin has 28 days to terminate an […]
Monday, February 1, 2016, 8 PM Kearny Street Workshop (1246 Folsom St, San Francisco, CA 94103) Mark your calendars, because Lydia’s Funeral Video will be launching in San Francisco in an unforgettable event! Join us and Kearny Street Workshop in February for a performance & discussion of Lydia’s Funeral Video with SAM CHANSE. Writer Claire Light will be joining in […]
The launch of Lydia’s Funeral Video in NYC was a fun night of conversation between Kaya authors, Sam Chanse and Ed Lin. Both authors’ sense of humor shines through the page, and at this event, they shone on the stage. The two covered many topics–from the influence of San Francisco on the play to the […]
Celebrate the release of LYDIA’S FUNERAL VIDEO in New York! Sam Chanse reads and then discusses the book with Ed Lin. RSVP on Facebook! About the book: Lydia’s Funeral Video, a one-woman play that takes that most existential of quandaries — to be or not to be — and transposes it onto a dystopian not-so-distant […]
