kaya publishes books of the asian pacific diaspora

 
 
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A very thoughtful note on the textual hybridity in QM Zhang’s memoir ACCOMPLICE TO MEMORY by David DeGusta in The Massachusetts Review: “The term ‘hybrid’ is applied mostly to memoirs with more than the usual amount of invention, or to novels with less. Here, though, is a book that realizes the true potential of a […]

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On September 7, 2018, at Doheney Library University of Southern California, Kaya Press held a symposium entitled “Migrant Voices Between Korea and China: Politics, Literature and Translation in Kim San’s Song or Arirang and Cheon Unyeong’s Farewell, Circus”. The symposium is an inaugural pre-launched event of The Magpie Series, at which Kaya Press collaborated with Department of […]

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Have the champagne ready! Lisa Chen, the author of Mouth (2007), wins the Rona Jaffe Foundation Writers’ Award 2018. Sharing the recognition with five talented and inspiring women authors, the award recognizes Chen as an exceptional emerging writer. “Our award winners this year are an exciting and talented group of emergent women writers. Their writing is […]

10/29

10/29

Monday, October 29, 6:30 PM– 8:30 PM Free King Juan Carlos I of Spain Center at NYU/ www.kjcc.org 53 Washington Sq S, New York, New York 10012 Presented by the Asian/Pacific/American Institute at NYU. Co-sponsored by the NYU Center for Latin American and Caribbean Studies, South Asian American Digital Archive, Rajkumari Cultural Center, Jahajee Sisters, and Guyana Modern.com. […]

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On November 3, 2017, the Friday of homecoming weekend at USC, Kaya Press hosted its annual Visions and Voices event with Kaya authors Anelise Chen and Q.M. Zhang in conversation with Los Angeles–based writers Tisa Bryant and Chris Kraus around the topic of hybrid fiction. To usher in the discussion, each writer first read from […]

11/03

11/03

I Love Dick, Chris Kraus’s auto-fiction about the obsessions of a writer named Chris Kraus, has influenced a generation of writers to experiment with blurring fact and fiction as a way to claim radical subjectivity. The book has now been adapted into an Amazon Prime series produced by Jill Soloway (Transparent). In a conversation about how […]